Darwin, without the car…

Robert Adams_Frame for a Tract House

“Frame for a Tract House, Colorado Springs, Colorado”
1969 - © Robert Adams

“Something had to change,” he added. “You just can’t keep going with that many cars.” – source

Same might be said for houses (sprawl)…

Instead of feeling deprived of having a new car every other year (the marketing of personal identity wrapped up in the car one owns – needs a new twist – like the obnoxious “I own the road” Tahoe driver… we all hate them really don’t we?) –    one might feel freedom…  The car as a form of personal transportation is both a blessing and a curse – - obviously, now we must find alternatives that have less impact…

I wonder what (or if) Robert Adams would have found “The New West” – without the car.  Would Robert Frank have been able to make  “the Americans” ?

Memorial to the days of 48 Stars…

Robert Frank, Parade-Hoboken, New Jersey

Parade—Hoboken, New Jersey, 1955 – Robert Frank
Photograph © Robert Frank, from The Americans

(Robert Frank, American, b. 1924 in Switzerland)

Jasper Johns, Flag

Flag. 1954–55  - Jasper Johns (b. 1930)
Encaustic, oil, and collage on fabric mounted on plywood (three panels)
42 1/4 x 60 5/8″ (107.3 x 154 cm)

As I notice the appearance of the United States flag on Memorial Day these two works always come to mind.

Michael Marten – Sea Change

Michael Marten_Grain_Kent

Grain, Kent – Michael Marten

Sea Change – by Michael Marten – on view at Blue Sky Gallery here in Portland -

I think because I grew up in the cornfields of the Midwest – the views offered by Marten of seaside edges at various tides – low and high in close comparison  - are for me quite interesting and somewhat foreign.   Of course I’ve visited various shorelines along the way, but there is something important about spending enough time in one place in order to see the influences of the natural environment (or manmade for that matter) on the shape of the landscape. Perhaps it is an issue of slowing down enough to internalize it in a way – to come back time and again is the key.  One can do this in any number of places of course at different time scales, but the regular contrast and steady rhythm of high/low tides is a wonderful opportunity to do so in a predictable way.

Michael Marten_ Bedruthan Steps_Cornwall

From Marten’s statement:

“… Natural processes have lit, watered and shaped the world since time immemorial. Paying attention to their rhythms and effects may help us to reconnect to the fundamentals of the planet, which we ignore at our peril…”

Indeed.  All it takes is to be reminded in a serious way – how quickly you can be come isolated – at the mercy of nature’s way.  Perhaps that is the element missing for me in these pictures which are striking on their own terms – but for me an element of risk would be an interesting additional dimension in the series…. I like the series though – it is a good start on any number of possible ways to look at our world around us.

More of Marten’s work here on his website.

Where you allow your attention to go…

This seems relevant and worthy of my time – from an article titled In defense of distraction, by Sam Anderson in NYT Mag – quote attributed to Merlin Mann….. Seems perhaps related to this blog post which in turn refers to a post by Meg Pickard on a little fun nugget describing the “irrelevance hump” on a perhaps not so fictitious(?) graph suggesting a trending analysis of topics of interest on twitter – hunch worthy or not – is totally up to you…. the quote below I think is insightful…. consider this in your work / life ….

- “Where you allow your attention to go ultimately says more about you as a human being than anything that you put in your mission statement,” he continues. “It’s an indisputable receipt for your existence. And if you allow that to be squandered by other people who are as bored as you are, it’s gonna say a lot about who you are as a person.” – source